About dc

Director of Photography at z360.com

Faith – What is it good for?

I don’t think the word “belief” means anything.
It’s a hovering wobbly, jelly phrase meaning something like:
“I’ve decided to think something’s true because I wish it were true.”

Different Every Time, 2014 – Robert Wyatt

My problems with belief started when I was 8 or 9 at Junior school. We had an excellent form teacher, Miss Laister, whom I trusted and understood. However, one sunny day we had a discussion about Christianity, and we were asked if we believed in Jesus Christ. I wasn’t sure, but he seemed to be popular, kind and interesting, so I was prepared to give him the benefit of the doubt. I felt a bit too young to give a definitive answer and maybe expressed some reservations. It was then that the bombshell in my mind exploded, since Miss Laister kindly told us that it wasn’t a question of supposition, logic, science, history or anything else, simply one of faith. You just had to believe, all your problems and worries would be solved, it was that simple. That was it, there was no other choice. This immediately appeared antithetical to everything I had been taught. Even then, to make this exception for Jesus and no-one else seemed unfair, I would have to investigate further. I was already aware other religions existed, and that for instance Jewish people did not have to attend religious assembly or recite The Lord’s Prayer, so what happened to them at the pearly gates?

Like many of my peers I attended Sunday School, basically biblical study, and engaged with the many fascinating stories. I got hold of a St. James Bible and determined to read it cover to cover, but failed to get much past Genesis, it was not an easy read. Later I was awarded a beautiful red leather bound version of the New Testament, this was bit easier, and I proudly took it along to my Sunday School. From my limited studies I was already not prepared to accept the Bible as the infallible word of God, since I was aware of the many inconsistencies, plain cruelty, changes of tone and competing gospels. Later, aged 11, I had a Christian fundamentalist classmate from Bahrain, who I used to tease with choice quotes from the Bible, asking if he believed in the contradictory and confusing verses I selected. I also vividly remember having an attack of the giggles, if not hysterics, when told the Fishers of Men story from the Gospel of Matthew. This did not go down well at Sunday School, but I would guess by this time I had already decided I would not be confirmed. That is I would not ask God’s Holy Spirit to give me the strength and commitment to live God’s way for the rest of my life. Most certainly I would not be living as a disciple of Christ in the Church of England. I have never regretted that decision. My position at the age of 14 or 15 is demonstrated by the moment when I called Jesus a bastard, not that I wanted to. My good Roman Catholic friend had somehow bet me that I wouldn’t say it before a graven image, yet I felt mentally obliged to follow through on my convictions and did so. I was of course being quite accurate (Joseph was not the father), but my friend believed I was going to hell in a handcart. Such is the power of indoctrination.

Well it was a long journey, via an interest in Western Buddhism during my 20’s, to finally arrive at my own version of agnosticism. Quit simply I agree with this statement: “I cannot know whether a deity exists or not, and neither can you”. Getting to this point may have taken some time, but it was certainly encouraged by one of the bravest books ever written, The God Delusion by Richard Dawkins, published 2006. It was as if I had waited nearly my whole life for someone to take on the exceptionalism granted to religion, this medieval way of thinking, and the lip service paid to plainly outdated ideas.

The whole point of religious faith, its strength and chief glory, is that it does not depend on rational justification. The rest of us are expected to defend our prejudices. But ask a religious person to justify their faith and you infringe ‘religious liberty’.
The God Delusion, 2006 – Richard Dawkins

The person who is certain, and who claims divine warrant for his certainty, belongs now to the infancy of our species.
God Is Not Great, 2007 – Christopher Hitchens

With or without religion, you would have good people doing good things and evil people doing evil things. But for good people to do evil things, that takes religion.
New York Times, 1999 – Steven Weinberg

Those who can make you believe absurdities can make you commit atrocities.
Questions sur les miracles, 1765 – Voltaire

Religion is regarded by the common people as true, by the wise as false, and by the rulers as useful.
The History of the Decline and Fall of the Roman Empire, 1788 – Edward Gibbon (from a quote by Lucius Seneca, 50AD)

The idea that any religious document is the “Holy Word of God”, as is claimed, can now be fully put to bed. Here is a brief resumé of what we now know regarding the great religious texts. The Bible as we know it was formulated in c.367AD  during the councils of Hippo and Carthage, and excluded the Apocrypha. The Gospels were written forty to eighty years after the death of Jesus in Rome, they are pseudepigrapha, the claimed author is not the true author. This is the case for the majority of the Bible. None of the authors of the New Testament actually met Jesus. The Old Testament is part folklore and part mythologised Jewish history, formulated in 1400BC, centuries after the events portrayed. For example, there is no historical record of Israelis (Moses and the Exodus) in Egypt. Watch out for Pseudoarchaeology! The Koran has an even more confusing history since Mohammed was allegedly illiterate and it was dictated to him by the Angel Gabriel, this oral tradition only being written down many decades later. The Hadith, “the backbone” of Islamic civilization, was cobbled together from many contradictory oral sources, generations after Muhammad’s death. Strangely Islam posits that God is an Arab, as the Koran is always recited in Arabic, and hence a translation cannot be the “Word of God”. These are the western patriarchal religions for the last 2000 years: Judaism, Christianity and Islam. They come form the same Abrahamic root, use the same basic stories and, given their authorship, cannot possibly be the word of God. We should remember that these religions represent just a moment in our evolution, whose time has now passed. In the Eastern world it is somewhat more complicated since there is no specific word of God, but rather a series of myths, stories and philosophies of life. That is fine, but I was under the impression that myths are not meant to be factually true, so I don’t believe any of that either. The Bhagavad Gita may be a great book, but no-one claims it was written by God, thank heavens.

When you end up not believing in anything (don’t follow leaders…) life can take a strange, slightly dystopian angle, which was encouraged by science fiction in general and the band Joy Division in particular. Like John Lennon (cf. his song God) my I don’t believe list is long, including fairies, ghosts and UFO’s, although they can all make interesting stories. I am a believer in the French principle of laïcité, which separates church and state since the 1789 revolution (confirmed in 1905), and includes the Declaration of the Rights of Man and of the Citizen. This principle does include a right to the free exercise of religion. Still, we all need somewhere to place our own spiritual needs, and obviously the Church no longer managed to fulfil this role for me. I did manage to read a religious book, recommended by my Mother, written by our local C of E vicar. However I could only manage to do this by replacing the word God with the word Gaia (thank you James Lovelock), which seemed to work quite well. I took refuge in the work of Alan Watts, a former Anglican priest who became a Buddhist hippy, and the classic series Zen and Zen Classics (1960) by R.H. Blyth. Later still I spent 4 years doing Tai-chi, which fulfilled many of my spiritual needs, but it’s not a religion. We live in a spiritual desert, where can we put these feelings?

Science appears to hold the answers since it is an open system, constantly being revised. It is empirical, open to scrutiny and genuinely man-made, but is that enough? Certainly the classical religions no longer answer the fundamental questions that led to their creation, science has filled that vacuum. There are many wonders of evolution and nature, yet do they really fulfil our hidden desires for a transcendent belief system? Humans appear to have a millenarian death wish desire, we need to dream and confront an apocalypse, however illogical that may be. Every generation searches for a New Messiah, we all self-dramatise and seem to think we live in the end times, as if history never happened. No-one wants to die, feel their life is pointless, and traditional religion came along to solve that problem. Such is the power of wishful thinking – believe this (or that) and you can live forever in heaven! For a long time we were all a member of an eternity cult. In reality the hope, promise and drama of traditional religion is over, and we await the replacement with some agitation and trepidation. At least there are fewer pointless religious wars, there is no heaven and hell, blasphemy is over, while the churches are empty. And lo, let there be no more self-appointed divine agents, defenders of the faith, no more confession, transubstantiation or apostolic succession. In the meantime, we should all become Secular Buddhists, that is the best I can say.

Reality is that which, when you stop believing, does not go away.
Introduction, 1972 – Philip K. Dick / published 1985

Is this where we are now? I hope not…

References
https://en.wikipedia.org/wiki/Criticism_of_the_Bible
https://en.wikipedia.org/wiki/Criticism_of_the_Quran
https://en.wikipedia.org/wiki/Declaration_of_the_Rights_of_Man_and_of_the_Citizen
https://en.wikipedia.org/wiki/Secular_Buddhism

Update 30/08/23
The day after I published this article, this was the headline in The Times newspaper, saying only 24% of clergy would describe Britain as a Christian country today.

Update 08/10/24
Just read Rationality by Steven Pinker and I was glad to see he uses the Philip K. Dick quote about reality, referred to above. He makes a strong point about the difference between the mythology mindset and reason, and why we humans are both tempted and fascinated by the myth makers. The book is humorous and pointed, although sometimes repetitious, and there is a bit too much algebra for me. Still it is highly recommended and here is my favourite quote, of many:

Submitting all of one’s beliefs to the trials of reason and evidence is an unnatural skill, like literacy and numeracy, and must be instilled and cultivated.
Rationality, 2021 – Steven Pinker



This is the Modern  World

Since the release of Big Sur (Version 11) in 2020 your system is locked, with a read-only file system separate from the user files, although it does not appear like that to you, the user. We have lost control of our computers. Apple systems are now so locked down and filled with security codes and devices (T1, T2 Security Chip) that we no longer understand or can even control what they are doing. This is security by obfuscation. Release Notes for upgrades typically include just a tiny portion of the actual changes, bug-fixes, and possible regressions that Apple has done. Passwords multiply and dual factor authentication has become the norm. Without the correct passwords your computer has to be physically returned to Apple Support, you only normally get 10 attempts to enter the correct one. After 50 attempts to guess your own password in “Recovery” you are permanently locked out of your own machine. Many updates are now covert, even though they have caused serious damage on several occasions. Everything is sandboxed and apps no longer have access to your own disks, files and folders, without explicit permission. System updates are now only available online, through Software Update. Applications which are not officially approved by Apple are highly unlikely to work. Starting up your computer from another external disk is essentially no longer possible. With Apple Silicon you can no longer replace or upgrade your hard disk, increase the amount of RAM, never mind attempt to service your own machine (there are no service manuals).

So all that may seem pretty awful, but maybe we are just reaching forward to the time when the computer just becomes an appliance, which runs without needing to be “serviced”. In due course it will self-upgrade and run without user interference. This is already happening in the world of phones, which are of course now very powerful computers themselves. It must also be remembered that soon nearly all the high street banks will close, your computer will become your bank and hence must be secure. Once everything is run in solid state, system on a chip, reliability increases and it either works or doesn’t. Neither you, or anybody else, can break your OSX System, it is locked. Your modern computer is already self healing, it will try and help you, that is machine learning aka AI. I already have a computer which has been used and run for nearly a year, without ever restarting, now that is an appliance.

I come from a time when computers regularly crashed on a daily basis, involving loss of unsaved work and regular restarts. There was a voodoo knowledge required to run a computer, involving selecting extensions, repairing permissions, defragmenting hard disks, clearing viruses, checking memory usage, updating again and again. All this knowledge is now redundant and soon all these problems will have evaporated. Still I would like to mention a few of the crazy computer glitches I have seen. The worst is a hard disk so full it cannot even start up. A computer needs some space to write files when it starts, without any available space you must start up from an external disk. In short, never let your your system hard disk become more than 80% full. Apple now lets you “manage “ your files in iCloud Drive, although I do not recommend this as you will soon be paying them even more money. One of the best resources in the old days was Disk Warrior, which could recover lost hard disks (HFS+ format) by rewriting the Directory, when it worked it was just like magic. Once when I was asked to install a new hard disk, I was surprised to find the new disk was in fact a book, they hadn’t opened the Amazon package! Embarrassment and wasted journeys all round. In a previous blog article I detail the folder found on an iMac which claimed to be larger than a million gigabytes (1.13 Petabytes). Best of all, I was called out to fix a computer which had stopped working. It had crashed and they didn’t know how to switch it back on!

Apple still have some way to go in their search for a perfect locked system. Some key applications such as Soft Raid, Drive DX and many others may require Kexts (Kernel extensions) to function and currently require you to run Reduced Security (available in Recovery Mode / Startup Security Utility). It is also difficult to install many third party apps without Reduced Security / Allow all apps. To access this on Apple Silicon Macs, press and hold the Power button until the display shows Loading Startup Options, then release it. This takes you to the Startup Options screen, select the Options icon, then click Continue underneath it. On Apple Silicon all the old ways to access startup commands have changed or disappeared. There are currently no third party apps to repair APFS disks (since it is not documented), you must use Disk Utility, which is slowly improving. The reported available space on APFS disks can also be wrong or misleading. I recommend switching off iCloud Drive, it can become confusing unless you really need it. You no longer need anti-virus software, switch it off. Buy a cheap external disk for Time Machine to safeguard your data, although it no longer backs up your System. Please remember your computer login password and Apple ID, they are vital, use the Passwords app for everything else. Check everything in Security and Privacy. This is the modern Apple world of computing, there is no Trash only a Bin, things work differently now.

Useful Information

Mac Attorney – Slow Macintosh?

Eclectic Light – Mac Troubleshooting

Mr Macintosh – Old System Installers

Question Time 1982

Is it Ronald Reagan’s idea of an April Fools Day Joke to say he is going to reduce nuclear weapons?

This was my question on the 88th edition of Question Time on April 1st 1982 at the Greenwood Theatre in London.

I invented this question on the actual evening as I entered the building, due to a headline in the Evening Standard that day. We had already posed another question on the invitation weeks earlier. The minute I wrote down this question I felt it had a good chance of being selected, it was right on cue. Even then I knew it fulfilled the brief to be up to the minute. 

My question was highly apposite, since our Prime Minister Margaret Thatcher and the American President Ronald Reagan had been spending many millions on installing Cruise missiles at Greenham Common, leading to widespread protests. Reagan would later declare Russia to be an “Evil Empire”, making the case for deploying NATO nuclear-armed intermediaterange ballistic missiles in Western Europe. Yet on this day an Evening Standard headline falsely claimed that Reagan would be reducing the deployment of nuclear weapons, which I believed merited some suspicion, if not downright disbelief.

Sir Robin Day, the host (see above), was magnificent and I was very impressed with the Tory Norman St John-Stevas. During the warm-up with test questions they were both hilarious, but a lot more circumspect when the show went live, to my disappointment. Little known to me at the time was John Smith, later to become Leader of the Labour Party in 1992. The other panel members were MP Mike Thomas, a founder member of the SDP, and Terry Marsland, a feminist member of the TUC.

I wore a very loud and gay pink shirt, so I certainly stood out, and I believe you had to stand up when suddenly you were told to ask your question. For many years, if not decades, people would tell me they had seen me on TV. I had already long forgotten about it, but it was a powerful lesson in the power of the media, since it had been seen by many millions of people.

Of course the response to my question was a lot of humming and hawing, no-one said that nuclear weapons were an insult to our culture, civilisation or even religion, as I wanted them to. No-one came out in direct support of the Greenham Common Women’s Peace Camp, though some expressed sympathy. I thought it was a poor response. Yes, I was a strong supporter of CND at the time and still am. I should point out here, that in 2020 the UK are still spending $6.2 billion every year ($72.6 billions spent worldwide) on nuclear weapons, which could destroy the world as we know it. While I was proud of my question, I gave an anodyne response when the question was referred back to me, which I had not been expecting. This was a very live show at the time. I simply said I agreed with John Smith. Always prepare a witty and cutting answer!


Refs:
Global Nuclear Weapons Spending 2020 https://d3n8a8pro7vhmx.cloudfront.net/ican/pages/2161/attachments/original/1623169371/Spending_Report_ExecutiveSummary.pdf?1623169371

The cost of the UK’s strategic nuclear deterrent 2023
https://researchbriefings.files.parliament.uk/documents/CBP-8166/CBP-8166.pdf

The Magnificent Robodevco Disaster

In 1982, at the instigation of Patrick D. Martin, I became the photographic co-ordinator for Robodevco. This later became The Roboshow, where a prototype multimedia computer controlled a forty-three screen, three dimensional sound experience. It was hosted by ‘Q’, a virtual robot at a large warehouse off Torriano Avenue in Kentish Town, London, 1985. It proved to be a “a completely new screen sensation”.

Before the Roboshow there was the Technocab, the most enjoyable part of the whole experience. This was a blacked out London taxi cab containing a Trinitron TV and a BBC computer. Due to the size of the huge cathode ray tube monitor it was a one person experience with binaural headphones, like a solo cinema. The cab would start up as if going on a journey, often dry ice was involved, sometimes we rocked the cab to simulate movement. A taste of what you would see (2 mins in) is contained in the following video, the Roboshow Electronic Press Kit. This low-res video features my stills animated with Bob Lawrie of Blink Productions, as well as the triggered micrographics of Richard Brown.

On the strength of this intense experience nearly a million pounds was raised to fund the Roboshow experience, which was intended to be franchised. A prototype multi screen cinema was constructed and the images would fly around the space in a truly fresh and disorienting manner, after being introduced by Q, a TV robot. Out on location Q was sometimes an American football style roller skater with a video boombox, who featured in the video shot by Charlie Arnold.

The Roboshow garnered a lot of good press, being featured in The Observer, The Face and New Scientist. This description of the show was published in the Evening Standard, January 1987:

“We went into a room that seemed smaller than it actually was because the 20 chairs on the raised platform were pointing towards 50 TV screens that ran around the front and side walls. There was one big screen in the middle.
The lights dimmed.
A rollerskater zoomed straight across our line of vision from left to right with an accompanying sound effect that seemed almost three dimensional. The show had begun– and for the next seven minutes images flickered, jumped, danced and propelled themselves across the screens. Sometimes it was the same picture. Sometimes it would break up so you were seeing the same thing from divers angles on different screens.
It is an experience 50 times as intense as watching regular TV because of the interplay between the screens and the meganess of the sound system.”

These are some of the quotes from the Robodevco Press Pack, which demonstrate why Roboshow garnered so much attention:

“Totally wild … any explanation would fail. to do justice to this experience”
Bruce Dessau, City Limits, Aug 21 ’86.

“The next medium to take over where Cinema left off’
Televisual, Nov ’86.

“Q makes Max Headroom look about as wacky as Sooty”
Direction, Oct ’86.

“Superb -look forward to seeing it in Piccadilly Circus”
Juliet Rix (BBC Newsnight).

“The technical possibilities are extremely exciting”
Roma Felstein (Broadcast).

“Very impressive”
Barry Fox (New Scientist).

“The most important development in Entertainment since they got rid of the Proscenium Arch”
Anthony Horowitz.

This is my photograph of the actual prototype Roboshow in Kentish Town. It was intended to expand the show and run it at Paul Raymond’s Revuebar Boulevard Theatre in Walkers Court Soho, London. Unfortunately this never happened.

It is important to remember that all this was happening before the advent of the internet, digital cameras, HD video or flat screen monitors. In fact analogue video was equivalent to 720×576 pixels at best, that is 625 (576 visible) interleaved scan lines in a 4×3 format. At the time Video 8 with it’s small form factor was the most exciting camera development, but most video was filmed on large and heavy U-matic cameras. Nevertheless The Daily Mirror observed that “the revolution starts here… Shock the music industry and change the world of video”. For an in depth explanation of all this technology the article in The Games Machine magazine, dated August 1987, reveals the many participants and innovations involved:

As well as the visuals, audio was an integral part of the experience. A holographic cassette was produced with music by Phil Nicholas, a Fairlight programmer, later to work with The Willesden Dodgers, Stock Aitken Waterman and Def Leppard, among many others.

Here is a promo pic of Patrick Martin, Phil Nicholas and Marcus Kirby taken at Robodevco headquarters:

By 1985 I was fortunately working for New Musical Express and so mostly avoided the machinations involved when new directors and accountants were appointed to Robodevco. The freelance crew (who made the Roboshow) were encouraged to sign contracts to make them rich when the project succeeded, yet were to become liable for large debts as bank guarantors without real equity. Thankfully I did not sign up. Ultimately, after the failure to produce an actual show, this led to arguments about the structure of the project and ultimate dissolution of the company. The directors became XYLO and took the technical assets which opened at a disco called Zhivagos in Darlington in 1988. RIP.
Meanwhile Patrick regrouped and formed Psychovision with a new Technocab, but this time in a Dodge van. I went to the grand unveiling at Chelsea Harbour, but disastrously the new van was not yet finished. Shamefully the many punters were told it had broken down on the Westway. Eventually the Dodge Technocab aka Psychomobile did surface at Covent Garden:

There was some mitigation for the previous disasters when in 1992 Psychovision created a 5 screen show for the Victoria & Albert Sporting Glory Exhibition which was later screened as part of the 1996 Atlanta Olympics. In 2011 Justin Kirby made Roboshow Reboot, a website to document this story, but it has long since disappeared. Here is a brief 44 second clip of my submission for this. It sure all was groundbreaking fun while it lasted…

To conclude here is the full interview Richard Brown made for Roboshow Reboot at the Rewire 2011 conference, which sums up the whole story very well:


Prepare yourself for a horrible shock

Or Why I punched the Wardrobe

In 1985 I photographed Robert Smith of The Cure at his record company offices in Marylebone, London for Sounds. He was a sweetie, and all seemed to go well. However, for the first time ever (for me at least) the photos were taken “on approval”. This procedure was totally antithetical to the way I worked and to what I believed being a photographer was. However the photos were intended for the front cover, so I thought fine, no problem. It did mean I had to hurry more than usual and to make a presentation box. In order to protect the fragile original Hasselblad transparencies I mounted them in expensive glass 2.25” slide mounts. There was no time to make costly duplicate medium format transparencies. The black and white prints were proofs and not the intended final master prints.

Yes it was horrible

Well I guess the story can be told now. To keep it simple this is what happened – he destroyed the photographs he liked. That is THE WRONG ONES. When I say destroyed I mean he smashed the glass of the slide mounts and then proceeded to cut up the unique and original transparencies into tiny shards. I received in return a box of broken glass and slivers of cut-up film. Since the photographs were for the front cover, these were the best ones, the colour transparencies. Sounds magazine was not interested in shreds of film for their cover at the time. Nor did the magazine, record company and PR organisation wish to make their pop star appear really stupid, so there was a big hush-up.

Robert himself was horrified…

I was remarkably angry and punched a wardrobe much too hard. I could see which way the wind was blowing in the celebrity industry and soon changed my style from portrait to commercial studio photography of inanimate objects. At the end of the day a perfunctory sum was paid in recompense, months later. To me that was not the point at all, I had missed doing the cover photo and everybody seemed to think it was somehow my fault. I guess it’s all down to the pecking order, but no-one has the right to destroy someone else’s original work.

Cropping suggestions from Robert

In those pre-digital days there were no scanners or any easy way to use the shards of film I was left with. Now 37 years later I have relaxed enough to open up this can of worms and follow Robert’s advice. Yes here is the cut-up he suggested making all those years ago. It might be “art on purpose” but it’s certainly not a Sounds cover.

Yes I was using a filter for that edge effect

Bad Lodger

From this :

To this – in a few hoarding years :

Abandon hope all ye who enter here!
Meanwhile find the bed…

Destroyed the carpet
Broke the bed
Broke the shower
Broke the toilet
Broke my dinner
and
Flooded the kitchen

Words to the wise – I guess I should have seen the warning signs!
So yes I am partly to blame…

Points in a Life

Playing Iago with Frances Barber (then Brookes) as Emilia in Othello. Photo: Brian Tarr

The first point is pointless. I was with the careers advisor at school aged 17 and I did not have the guts to tell him I wanted to be a rock singer. Of course I already knew that to say such a thing would be treated as some kind of joke, if not a reason for him to laugh at me and tell me to grow up. There were no degrees in this subject, and he probably had no conception of what I was not talking about. Still I was disappointed with myself not to raise the subject, not to make the point. In retrospect I realised other errors were made, since I was about to become the Editor of the school magazine. At the time time I had no conception this was an actual job, since once again there was no degree available in this subject. Unbeknownst to me at the time, the correct degree was English Literature, which I in fact did end up partially studying. Yet the idea that this was an actual job evaded me. You could only be a Teacher.

Later I had my big break as an actor, I was to play Iago in Othello at the Oxford Playhouse, sponsored by The Observer. This I managed to do and was quite good, and certainly better than the Zambian playing Othello. Unfortunately he was having some kind of nervous breakdown, having been accused of actually strangling Desdemona. This massive production became a laughing stock when he refused to go within three feet of her, so my performance became rather incidental. After the first night we never saw the Director again, yet there were many more nights of pain in front of thousands of people. Thus ended serious acting.

Life and Death Show at a Youth Club. I am under the table.

Another disaster, at least to my mind, put an end to my film career. We had written a touring youth theatre show called The Life and Death Show about the nuclear apocalypse. After many performances we had honed down the Protect and Survive story into a tight and entertaining forty five minutes. This had involved meeting the Secretary of CND, Bruce Kent, and hiding under a table. I was thrilled that this led to making a film at The Albany in Deptford. However this was early days for video, still on reel to reel video tape I believe, and quite simply the Director lost all the audio during the edit! Despite this setback something was recovered leading to a Premiere at the ICA Videotheque. That was all good, but the incomprehensible dialogue sounded like a deep sea quagmire. This naughty Director went on to win many prizes and became a Professor of Film, I never appeared in another film. Such are the breaks, those moments…

Again The Observer was to blame, kind of. I took my huge photographic portrait portfolio into their Art Editor at the ‘Colour’ Magazine (the supplement) and they loved it. To work for them was my dream, so I thought that I had made to the big time, after doing covers for NME and Sounds. It was all close-up black and white portraits, rather in the style of Steve Pyke or maybe even Avedon. However I ended up “second choice”, that is nowhere, and I gave up. Or at least changed my style, I had tried and failed, but of course (in retrospect) I should have tried harder.


The writing was on the wall in 2011 when Tate Britain removed my panoramic tour of Peter Doig from their website, because they were being sponsored by Google. Of course they did not inform me, despite saying “it looks absolutely brilliant”. It was replaced by some fuzzy auto-made panoramas full of stitching errors and incomprehensible angles, the writing on the wall was truly invisible. Yet Jonathan Jones in The Guardian said “Google Street View-style tours of galleries are not to be sniffed at”. He had probably never seen a real panoramic tour in his life. You can’t compete with world organisations working for ‘free’. There is no actual point here, just a gradual decline as Google Street View took over the world, at least in panoramic terms.

That was, in a sense, a list of endings. The high points are not being mentioned here since this article was inspired by the The Last Days of Roger Federer and other endings by Geoff Dyer who makes the point that whole lives can turn on a sixpence, or, at least in terms of tennis, on a single point.

In 1965 I wore a skirt to school

DC_Kilt_Jura2008SQNet

This is my Grandfathers Dress Stewart Kilt, not the one I wore to school.

Of course it wasn’t a skirt but a kilt, but to everyone else but me, it was a skirt. I was age 10 at Farnborough Road Junior School, Southport, on summer clothes day. Was I bullied? You bet and I expected it. This was a challenge which I paid for, punched to the ground, constant skirt flipping. Much to the disappointment of my tormentors I had serious underpants on, unlike my grandfather.

He was a London Scottish soldier at the trenches in World War One and was regularly inspected to make sure he wasn’t wearing any, which was “illegal”, and a sign of enfeeblement. A few lashes would fix that. Later I noticed a fab tartan pair of boxer shorts he had, but they were from his dress, not army, kilt. I still wear them (as not visible above).

I was so proud of my kilt and wee sporran, bought by my grandfather in a splendid shop along the Royal Mile in Edinburgh. I took the blows with flamboyant outrage, and I would guess none of my school chums had ever seen a kilt, apart from my Scottish friend Maurice. I was well aware of the notional provocation. I also had a Sgian Dubh, a ceremonial stabbing knife kept in the sock, but thought it wiser not to take it along. This black dagger had not gone down well at Sunday School. Although it could have come in useful!

Years later I wore shorts to my senior school, it was summertime. I was pilloried by my adolescent peers in long trousers. What a hoot! Don’t zig, zag. Have confidence. Always a joy to be different.

M1 Studio – Don’t believe the Hype

Studio1920Well it was the M1 Mac I had been waiting for, so on announcement day I plumped for a Mac Studio with M1 Max, 24-core GPU, 32GB of RAM and 1TB of storage. The migration from a Mac Pro 2010, 2×3.46ghz and 96GB Ram went smoothly considering I was coming from the 2018 Mojave 10.14 system. As you can see I am using all the ports on the back, grateful for their inclusion. One of the main reasons for this update was simply to be on a modern and supported system, yet I am hard put to find any useful improvements in the system software.

In fact I am disappointed that there are still so many glitches after all this time, there should have been plenty of time to iron all these out. Firstly it took the Music app 40 hours to re-index my iTunes library after several crashes. In addition the Music app still appears to be in development, being unable to scroll artwork, so this is all you get, half a picture, and the rest is missing:

Screen

No Scrollbar !

Surely it can’t be that difficult to make a scrollbar like we had in iTunes. In addition you can no longer drop music into a playlist – it appears briefly then disappears. I then have to go and hunt for it in the Recently Added Playlist. Of course I was also faced with the plethora of permissions issues, simply to use an attached disk, slowly I am overcoming them. My Keychain refused to transfer, so I was forced to use Two Factor authentication, despite Apple saying it was optional, still dealing with issues arising. It then took 12 hours to update Final Cut and X-Code, while Apple System Status said everything was OK – oh no it wasn’t! On the monitors front the system regularly refuses to respect my 2 monitors, forcing everything onto one screen, especially after trying (it takes several times) to sleep the computer. I was plagued with the notorious flickering HDMI connection initially, making the 4k monitor run at 50 instead of 60hz, seemed to assuage the problem, but not an ideal solution. This problem has now been resolved, but the Sleep function appears to be broken. I was also surprised to see the spinning beachball so regularly on this fast computer, in particularly just looking up recent items can cause it. I had none of these problems on my 12 year old Mac Pro, so I was expecting better.

There have been lots of minor changes for the sake of it. Overall there are some improvements with connectivity and the neural engine, yet in day to day usage the computer is not much faster than the old Mac Pro, despite the hype and carefully chosen speed graphs. I would call it incrementally faster, seconds here and there, some things still take a long time! The neural engine certainly makes video encoding a breeze, that is many times faster. I have noticed the computer settling down after a few weeks usage, this may be due to Trial aka triald which uses machine learning to improve usability. This is good but apparently allows parts of macOS to be automatically updated regardless of your settings, which I am not so keen on. There are also some documented problems, which I have avoided or worked around such as the issues with kexts (kernel extensions) which are being deprecated, but can still provide useful functionality. Yet, since the Library is now locked , you can no longer delete old, unused kexts! It should be noted that MontereyOS still cannot provide SMART monitoring of external disks without a kext. It is also now nearly impossible to make a proper backup disk of your system. Of course I had to lose all my old 32 bit apps and regret the loss of iView Media Pro and several disk repair apps. I have found a useful replacement for Media Pro in Photo Mechanic Plus, but there is a lack of repair and analysis apps for M1 Macs. More seriously there appears to be a variety of issues with the Thunderbolt ports, which do not give the advertised speed of 10GB/s for USB3.1. If in doubt use an expensive Thunderbolt 3 or 4 enclosure as I had to (see OWC Envoy Express 2TB NVME SSD above). My favourite Mac Guru Howard Oakley says: Lack of support for 10 Gb/s SuperSpeed+ in USB 3.1 Gen 2 is arguably the most serious failing in what has otherwise been a very successful transition.

A part of me thinks this is all a brilliant sales pitch to make us buy new computers. Simply refuse all updates to the old ones, tell us they are no longer supported and slowly make them incompatible. Yet people have still managed to take old Mac Pro’s past the 2018 Mojave system, by hacking and “illegally” installing newer systems. Why can’t Apple themselves do this, if the hardware is capable?

Despite all the aforementioned I would still recommend an M1 Mac (see Do not buy an old Intel Mac). Things can only get better!

Update 26/05/22

Bargain Samsung 32” 4K Monitor for £250!

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I bought a Samsung M70A monitor for only £250, matching my much more expensive BenQ PD UHD monitor. It was cheap since it has been superseded by the M80. This is allegedly a smart monitor and does have USB-C, but I have resolutely switched off all the smart possibilities and ended up with a 100% sRGB display. A few caveats: there is no proper profiling, but using a Spyder Pro monitor colour calibration tool it now looks great and runs full sRGB 3840 x 2160 @ 60.00Hz. In addition, despite being sold as a 32” monitor, it is only 31.5”, still Samsung make cheap good looking screens.
PS. If you require the sRGB Colour Profile to make this a good monitor drop me a line!

I hate to say it, but Boris was right

35

The Guardian 14th February 2022

Yes it turns out Boris was right to end the the pandemic restrictions, since now hardly anybody is dying from Covid. Let us not forget that the 35 deaths above are people who have died within 28 days of their first positive test, and they did not all die from the direct effects of Covid. This manner of counting has greatly increased the number of deaths (and the level of panic). The BBC estimates that currently, fewer than two in every three Covid-related deaths are estimated to be caused by the infection. Fewer people are currently dying than the average for the last five years.

Another criticism was that he was not backed up by the scientists, who usually surround him. I presume that was because their projections had proven to be drastically wrong. The modellers from Imperial College and SAGE (Scientific Advisory Group for Emergencies), who inspired the lockdown, have appeared to get lost in their own statistics and preferred to err on the side of caution, if not plain dystopia. To quote from The Guardian:

Prof Neil Ferguson, went further and suggested that, following the “freedom day” relaxation of restrictions on 19 July, the 100,000 figure was “almost inevitable” and that 200,000 cases a day was possible. Cases topped out at an average of about 50,000 a day just before “freedom day”, before falling and plateauing between 25,000 and 45,000 for the next four months.

Now that at is an error of 200-300%, plainly not acceptable. (Incidentally, Professor Ferguson had to resign from SAGE for breaking lockdown restrictions.) This is just one example of the scientific modellers getting it wrong, just think of those empty Nightingale Hospitals costing 530 million. Now that the dust is settling it is worthwhile to look at overall death rates to discover the reality of the situation. From one perspective Covid in 2020-2021 has proven to be just more than twice as deadly as Flu in 2014-2015. However it is more interesting to look at the Global Excess Death Rates, since this removes the problems about how you count Covid deaths. Undoubtedly Covid has been a major and deadly pandemic, shown by the fact that most countries have suffered excess deaths (that is more than the expected average). On a fascinating chart compiled by The Economist, the UK is roughly in the middle with 222 Excess Deaths per 1000 people, yet for Sweden, which did not have a lockdown, the figure is 126. Draw your own conclusions, here are some numbers:

Excess deaths since country’s first 50 covid deaths
Last updated on February 14th 2022

  • Bulgaria: 919 Excess Deaths per 1000 people
  • South Africa: 414 Excess Deaths per 1000 people
  • USA: 305 Excess Deaths per 1000 people
  • UK: 222 Excess Deaths per 1000 people
  • France: 150 Excess Deaths per 1000 people
  • Sweden: 126 Excess Deaths per 1000 people
  • Japan: 16 Excess Deaths per 1000 people
  • New Zealand: -51 Excess Deaths per 1000 people

Yes the -51 for New Zealand does mean that more people are living than expected! I hope they will be fully immunised by the time the the virus does hit them, which seems inevitable sooner or later. Another issue which has recently become clearer is that Covid basically preys upon the old and infirm, leading to this amazing quote from Professor Mark Woolhouse:

People over 75 are an astonishing 10,000 times more at risk than those who are under 15.

This statement is backed up by the graphic heatmap from the UK government website:

HeatSo why are we bothering to vaccinate children? In conclusion we have certainly made many mistakes, but I have been grateful for the vaccination programme and I am glad the restrictions are finally ending.

P.S. Boris is an arch manipulator and consummate liar!

Update 22/02/2022

A week later Simon Jenkins of The Guardian has written an uncannily similar analysis in the article “Johnson’s decision is political, but it’s right to end Covid restrictions in England“. In the course of said article he mentions Boris, excess deaths and Sweden, concluding about the scientists:

Too often scientists sound like just another interest group out to protect its reputation and budget. As Neil Ferguson’s Imperial College London modelling group were quoted as admitting: “We do not consider the wider social and economic costs of suppression.” It is why Sweden’s decision to avoid a draconian lockdown merits serious analysis. Its GDP fell by 2.9%, Britain’s by 9.4%. In the European league tables Sweden falls around the middle in deaths per capita, still well below Britain.

 Remember You Read It Here First!

Albums of the Year 2021

Due to popular request I am listing my albums of the year, that is the ones I have listened to extensively. This is an eclectic list, starting with new albums and then drifting off into reissues or older albums re-discovered. I hope you find something of interest.

001_PromisesFloating Points, Pharoah Sanders & The London Symphony Orchestra: Promises
A truly contemporary chill out album combining electronica, masterful sax playing and gorgeous orchestration. You can hear the six decades of jazz history in the playing of 80 year old Mr Sanders, so relaxed yet so authoritative, I would have liked even more. A unique and wonderful combination of talents, the beauty makes you want to swoon.

002_Vulture Prince

Arooj Aftab: Vulture Prince
Another slow burner from this Brooklyn-based Pakistani composer and singer. At times reminiscent of Nusrat Fateh Ali Khan, the singing is peaceful and plangent. There is a an overlying senses of sadness, but it is not cloying or without movement. Many of the lyrics are based on the Ghazal, an Arabic poetic form steeped in loss and longing. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain, says Wikipedia.

003_Afrique Victime

Mdou Moctar: Afrique Victime
Burning guitar, as if Hendrix had joined Tinawaren. This is a powerful album to be played loud, packed full of galloping riffs from the Azawagh desert of northern Niger. I had the pleasure of seeing him a few years ago at Cafe Oto, you can see the pics here. 

004_Ding Dong. You're Dead.

Hedvig Mollestad Trio: Ding Dong. You’re Dead.
The discovery of the year and the gig of the year. Instrumental Rock-Jazz combining the Goth sensibilities of her Norway home and intense guitar shredding. She manages to sound totally original, with a huge vocabulary of psychedelic and jazz riffs, constant excitement. She plays with a huge sense of élan, yet never forgets the atmospherics. This is a proper power trio with bassist Ellen Brekken and drummer Ivar Loe Bjørnstad together in HM3 since 2011. Wow, what a night, as you can see here.

005_Coral Island

The Coral: Coral Island
A delightful album using spoken word and pop songs to take you on a journey to Coral Island, a seaside resort with ballroom, funfair. pier and a werewolf. The charming story songs seem like a throwback to more melodic times. Of course it all reminds me of my home town Southport, not surprising since they are from Hoylake, just across the Mersey on the Wirral Peninsula.

006_Sour

Olivia Rodrigo: Sour
It’s the popular choice! If you’ve had enough Fiona Apple, Taylor Swift or even Lana del Ray then try this. Yup the kids have been lapping this up and I enjoy the yearning, the swift changes of pace and the vocal gymnastics. Proper pop entertainment from California.

007_Raise The Roof

Robert Plant & Alison Krauss: Raise The Roof
Perhaps not as strong as their classic Raising Sand from 2007, the chemistry is still unique. It is strange to think that the bombastic vocalist of Led Zeppelin has become such a sensitive singer, and paired with the golden tonsils of Alison Krauss, the contrast is often very moving. The odd mixture of country, rockabilly and blues is very relaxing.

008_Nordub

Sly & Robbie meet Nils Petter Molvær: Nordub
Well this was released in 2018, but I’m still playing it regularly. It is included here in memoriam to Robbie Shakespeare, who sadly died in December 2021. They were a unique rhythm section, playing on many reggae classics as well as with Serge Gainsbourg, Grace Jones and Bob Dylan to name but three. To find out more about Nils, see my blog.

009_Voices

Max Richter: Voices
A unique album setting readings of The Universal Declaration of Human Rights to music. It is both ghostly and moving and flows along beautifully. As the voices and instruments intermingle a genuine aural landscape is constructed, without being cloying or didactic. In 2021 Max released an instrumental reworking of this album called Voices 2, but I prefer the original – with the voices!

010_Journeys In Modern Jazz_ Britain (1965-1972)

Journeys In Modern Jazz: Britain (1965-1972)
Yes they are still making Jazz compilations in 2021, and this one is very well put together and sounds remarkably contemporary. Several of the tracks would be very hard to source and it’s great to hear them fresh and remastered. Strangely we thought that British jazz lived in the shadow of the real guys in the US of A, this album gives the lie to that, being both funky and adventurous. Big rediscoveries were Don Rendell and Ian Carr, and especially the great closing track by Michael Gibbs. Heavy!

011_Man On The Street_ East Orange Tape Ð Feb_Mar 1961

Bob Dylan: Man On The Street
This is a weird one, being a 10 CD package which I presume is a bootleg, or perhaps it is out of copyright. Still it is available on Amazon right now for a mere £22. All these CD’s contain the radio broadcasts, home recordings and live concerts from 1961 to 1965, famous to any bootleg collector. Thus you get the contents of the first ever bootleg, Great White Wonder, as well as his 1961 Carnegie Hall gig and the 1965 BBC recordings. They sure sound better than the versions I have heard over the years and contain many unreleased tracks and hilarious interludes.

012_Black Gold_ The Very Best Of Rotary Connection

Black Gold: The Very Best Of Rotary Connection
This was my soul epiphany of 2021. Of course I knew ‘I Am The Black Gold Of The Sun’ from many raves, but was not aware just how crazy this band was. I thought they were lightweight and not funky enough, but I was coming from the wrong direction. They were a truly psychedelic choral soul band, with an amazing arranger in Charles Stepney and a world class singer in Minnie Ripperton. During the years 1967 to 1971 they took soul music and made it epic with massed choirs and orchestras, covering rock classics from Hendrix, Cream and The Band. They deserve their own church.

013_Holst_ Choral Works

Gustav Holst: Choral Works
A recent discovery recorded in 1984 and composed 1908-1912. It was a great solace during the lockdown when singing was outlawed. Most of it is a predominantly female choir with the harpist Osian Ellis and it is very dynamic. My reference point was the work of David Axelrod and albums like Earth Rot, although this is much more ethereal. The singing itself is very rhythmical and builds to powerful climaxes, very satisfying and quite strange.

014_IMG_7996

The Lost Jockey: Professor Slack EP
Another result of lockdown was the digitising of some rare vinyl albums from my vast collection. This 10″ EP was my favourite, recorded in 1982. The Lost Jockey were the British answer to the systems music of Philip Glass and Steve Reich. However they seemed to be much funnier, poppier and funkier to me, and I held out great hopes for them. I was so keen on them I even wrote an article about them (unpublished). Still this EP, full of restlessness despite the pulsing, was as good as it got. Their solitary full album was a disappointment, although several members went on to have very interesting careers with Man Jumping, The Shout and on the ZTT label.

015_Passionoia 1Black Box Recorder: Life Is Unfair
Totally missed this group 20 years ago, although I was aware of Luke Haines, but found him a bit arch. Yet with the addition of Sarah Nixey on sensual and domineering vocals it all seems to work, the irony of the lyrics arrows straight home. They really are the funniest English group ever, the black humour skewering school, motorways, sundays and, in their only hit, the facts of life. This is the 4CD box set of all their albums with a free poster.

 ~

Prisoner of iCloud

icloud-drive

Well the idea of all your files on all your devices sounds great, but it is a chimera. Firstly they are not necessarily on your device, but can be in the cloud. Secondly you will soon be paying for this privilege, Thirdly they are not always accessible, in effect they cannot be relied upon.

If you have a small hard disk, files are “evicted” to iCloud. Soon you can no longer download them all and you become a Prisoner of iCloud. Keep paying the ransom! This may sound like a bad joke, but your old unused files can be deleted by Apple after 6 months. The terms Apple sets for iCloud specifically exclude any liability for loss of data. Also iCloud doesn’t work perfectly all the time, so do check Apple’s service status page.

My personal advice is never to use iCloud for data backup, although it can be useful for sharing and syncing data between devices. iCloud is not Time Machine, which backs up data to a local hard disk. You cannot backup an entire Mac to iCloud, but you can use it for the iPhone, iPad, and Apple Watch. You will be paying for this, since you will soon use up the free 5GB allocation.

Much better value is to buy a 2TB hard disk for about £55, like the Toshiba 2TB Canvio Basics Portable External Hard Drive, USB 3.2, and store or backup your data on this. You will no longer be a prisoner or have to pay the ransom. Apple will charge you over £80 per year to backup this amount of data to iCloud.

To delve a bit deeper, if you are using iCloud Drive (which Apple encourages, it earns them money) beware of this symbol:

itunes-icloud-

This means the data is stored in the cloud and you do not have full control of it. If it is a large item like a video, it may take hours to download. You may also see this icon in iTunes, where there are 6 possible iCloud icons. Unfortunately you have very little control over items that may suddenly go to the cloud. Your only control is basically on or off, but do not play around with this, since it may take hours or even days to re-sync an iCloud Drive.

So some advice, since there many options about what you can sync. I personally sync Mail, Contacts, Calendars, Safari, Notes, Find my Mac. Reminders, Siri and Keychain may also be useful to sync via iCloud. These are all small items and should be free to sync. Since I am a photographer I do not sync Photos, that would be an expensive nightmare. For some people it may be useful, but you will soon be paying for more storage. Also do not sync items you may not use like Stocks, News, Home. If you use iCloud for i-device backups remember they are a space hog, and to delete out of date or unused devices. Obviously I do not use or recommend iCloud Drive. Do not “Manage” your files in About this Mac / Storage, unless you are aware of the consequences, it switches on iCloud Drive. Before deleting anything from iCloud, be sure you won’t need it again. Once it’s deleted from iCloud, it’s gone forever.

macos-big-sur-system-preferences-apple-id-icloud-drive

Do NOT tick all these boxes!

My favourite article on iCloud problems is by Howard Oakley, it is quite long and there is no magic bullet. To conclude, keep in mind that the Italian antitrust regulator has found that Apple’s iCloud terms and conditions are unreasonable and unfair to consumers, and may breach consumer protection laws. Best of luck navigating the modern world of cloud computing!

Update 14/11/24
Apple accused of trapping and ripping off 40m iCloud customers says BBC article.

Z360 goes mirrorless

NikonZ7

Nikon Z7 with TTArtisan 11mm f2.8 Fisheye and Nodal Ninja Lens Ring for Panoramas

So what are the advantages you may ask. Quite simply the most important reason for me was to have access to 4K video, so that my cameras could compete with my iPhone. Now that I have a Nikon Z7 and Z50 I have found a plethora of other reasons for the upgrade. When I saw the the power of 4K video on my iPhone XS  , it was apparent my old Nikon D800 was simply outclassed by the new computational video options in my iPhone.

Xmas_pulling_over

Still from iPhone 4K video – who needs SLR cameras?

 However this iPhone has only one usable lens (the telephoto is lower quality, although I hear they have improved), and I found this very limiting. Now I have access to lenses from 7.5mm to 500mm, lots of options. Not only that, but due to the short flange distance, many vintage lenses can now be easily used with an adaptor. Talking of adaptors, the Nikon FTZ adaptor for G lenses works very well retaining full AF. However it is very bulky with a large box sticking out below the camera, which I find quite annoying, both for tripod and handheld use. (Update: There is now a version without the large bump). If you are using an old lens without AF, I recommend using a dumb circular adaptor. As for Z lenses, the new Nikon S lenses are indeed of spectacular quality, if rather expensive. Much better value and more entertaining are the third party Chinese lenses from Pergear, TTAritisan, 7 Artisans, Laowa and Meike among others. I have bought several of these metal manual focus lenses, in particularly fisheyes and wide angles, and optically they are excellent performers. In particularly my TTArtisan 11mm f2.8 fisheye was a lot sharper than my old faithful, the Nikon 16mm f2.8 fisheye, much to my surprise. The edge performance was a league above, although 11mm seems a misnomer, having a nearly identical 180º field of view to the Nikon 16mm. There are now some Chinese AF lenses from Viltrox, at least half the price of the Nikons, which have been well reviewed.

callanish

Callanish monolith Stone c.2600BC, Isle of Lewis. Nikon Z7 with TTArtisan 11mm f2.8 Fisheye.

 So much for the lenses, the real surprise was actual usage. For 30 years I have only used my cameras in full manual, locked ISO, spinning the speed and aperture dials as necessary. Now I have discovered the power of Auto ISO (still available in Manual), and am already getting lazy. With the power of dual gain sensors it does not make much difference to noise and quality when shooting in Raw whether the ISO is 100 or 10000. I am aware that for full quality I should be below ISO 400, but can you tell the difference? Anyway the speed of use, once fully set up, allows me to nearly shoot at random. The amount of information in the electronic viewfinder (which takes some getting used to) is highly informative and can be rapidly changed. The peaking function is invaluable for manual lenses. I trust the AF and exposure (-1/3) and of course all the pictures are now free.The latest sensors are amazing, I remember never shooting above ISO 800 on my Nikon D200. Meanwhile these cameras are truly optimised for video, the focus no longer jumps or hunts, aperture changes proceed as if click-less, even changing shutter speed is done smoothly. In addition you have the speed and flexibility of a touch screen, articulated monitor and best of all, silence. A minor annoyance are touch buttons on the Z50 monitor, often accidentally touched by my nose since I am left eye dominant. They have moved them on the similar spec Nikon Zfc. The autofocus is great, with a few confusing options, wide area-s seems to suit me. Mirrorless cameras tend to use more battery and require attention since while the camera is on the monitor is on, which has caught me out a few times. Always switch off when not using and it easily takes hundreds of shots and an hour of video (with a restart). One advantage is that they can be recharged via USB without the mains adaptor.

 In conclusion everything feels quiet, smooth and light, that’s all good. Do they take better photos than my old D800? Perhaps, but the benefit is really apparent in the sparkling video, tracking autofocus and flexibility of use.

Close The Nightclubs !!

Pasted Graphic

Woe Woe Woe
This is where the Brits are now

The onslaught of Covid-19 deaths, government confusion, social media madness and exaggerated statistics have brought us to a pretty pass. Yes we should all wear masks and socially distance forever say the British public. Or at least until Covid is under control worldwide, which is as good as forever, let’s be honest. Covid, like flu and the common cold, will not be going away in my lifetime. However, it gets even worse, we are truly living in fear when 27% of people say we should have a 10pm curfew, while 43% say all nightclubs and casinos should remain closed – although personally I don’t object to closing casinos, for other reasons entirely. This is definitely the most depressing poll I have ever read, and makes me worry profoundly about the country I am living in.

This poll was brought to my notice by an article in The Guardian by Joel Golby. He believes the reason behind these poll results is just that “being British is a type of madness”.

Ipsos MORI interviewed a representative sample of 1,025 British adults aged 16-75. Interviews were conducted online from 2-3 July 2021. Data are weighted to match the profile of the population. All polls are subject to a wide range of potential sources of error.

On a brighter note you can apply for your Covid “passport” letter here, presuming you are double vaccinated, like all sensible people. This URL should be front page news, but it is well hidden on the NHS website.

Update 20/05/23

Meanwhile in 2020 the Tories were organising parties in the midst of the Lockdown! At the time, London was under Tier-2 restrictions which banned indoor socialising, said the BBC. Shaun Bailey was a prospective Conservative candidate for the Mayor of London campaign, and has now been awarded a peerage by Boris Johnson.

Mina Mazzini – The Italian Diva

Discovery of a great singer

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Well I’ve never had a favourite Italian singer before, and I don’t speak Italian, but I have been swept away by the power and expressive voice of Mina Mazzini. Unknown in the UK, but apparently the premier diva of Italy, this may be an easy choice if you are Italian, since she has had a career lasting over 50 years. During this time she has made an incredible 77 albums.

Early in her career, which started a as rock ’n’ roll singer, she had No.1 hits in Germany and Japan, as well as in Italy of course . During these times she was known as “Queen of the Screamers”, but later developed into a fully rounded romantic singer, incorporating Brazilian and Jazz influences. Her career reminds me of the French singer and composer Léo Ferré, who progressed from French chanson to rock and finally neo-classical influenced poesie, never losing his unique energy.

She retired from live performance in 1978, yet has continued to make albums annually, as well as becoming a journalist in 2000. The immense variety of her output and playful manipulation of her image can be clearly see on her discography page. She appears here with a blonde beard, as Mona Lisa, a male bodybuilder, an athlete and and an alien, queen of all styles.

mina-salome-1981

She was recently brought to my attention by Sophia Loren on Desert Island Discs, singing Oggi Sono Io, this performance, building from a whisper to a scream, had immediately reminded me of the aforementioned favourite Léo Ferré. Previously I had briefly heard her work with Ennio Morricone on the 1966 track Se Telefonando, widely regarded as her best song. I had enjoyed this, but regarded it as a bit overblown in the manner of Bonnie Tyler, but I now return to it with renewed appreciation.

Her power and natural ability is revealed in this 2001 video, where she sings live in the studio with a sympathetic and dynamic band, opening with the magnificent Oggi Sono Io. “Whooah” she says at the end, quite rightly.

* Sorry, original high res video removed, just the track now:

Stop The City 1983-84

STCfront1920

Original leaflet from the third Stop the City Demo

Before the advent of Extinction Rebellion, mobiles and the internet there was a word of mouth demonstration in September 1983 which brought the City of London to a halt. This was followed by 2 more demos in March and September the following year. I attended and photographed the first two events, which can be seen here. 

048_StopTheCity1983The first demo was truly glorious and anarchic, since it was so unexpected. The whole area of the City of London became a “Carnival Against War, Oppression and Destruction”. Everywhere you went there were groups pf punks, anarchists, musicians and performers barricading banks, The Stock Exchange, Guildhall and The Royal Exchange. The Police were quite unprepared and the protestors roamed around freely, or held random sit-down protests.

Later in the afternoon more police and then the mounted police arrived, but despite many arrests the protest was mainly conducted in a peaceful manner.

stc200

The second demonstration in March 1984 was a different matter. This time the police were ready and out in force. You could be arrested for simply “stopping” in the street and the demo was confined to the environs of The Royal Exchange. Protestors were often arrested  or blockaded just on the way to the protest. A massive kettling operation took place at The Royal Exchange, leading to violence and many arrests.

124_StopTheCity1984

Personally I had to try and avoid being kettled, while also avoiding the police who would try and steal my camera at any opportunity. Luckily it was on a strong strap and I managed to wrestle it free from their grasp. They were animals that day, there are several photos of them strangling protestors. One famous photo by David Hoffman of a photographer in a chokehold, led to a £4.000 payout at the ensuing trial.

It was a miserable day, and a downpour in the afternoon doused spirits further, which was probably a good thing all round. Apparently the third demo was so well policed that hardly any demonstrators made it to the City.

There is not much good documentation of these protests on the web, but these links should provide some good info:

Wikipedia Stop the City
History is made at night

There are also some grainy and lo-res videos:

Stop The City – News Reports 1983 / 84
Roddy Melville Stop The City 1984
Stop The City 83-84 video by Mick Duffield and Andy Palmer (Crass)

STCback1920

Track of the Year 2020

My Wanderings In The Weary Land by The Waterboys

Good Luck, Seeker

This is an unlikely choice, and the idea that the pseudo Irish folk band The Waterboys would be a 2020 favourite was derided, even laughed at, by several of my contemporaries. Nevertheless Mike Scott and his cronies have metamorphosed into a soul rock band, with electronic backing. They are both hilarious and sincere, in a way that maybe Morrissey used to be.

The actual track is a rock stomper that you can actually dance to. The music is credited to Jim Keltner, the great American session drummer, although whether he actually plays is unknown, it does sound a bit processed. The other music credit is to Anthony Thistlethwaite, a long time accompanist of The Waterboys, presumably he plays the violin. Still it is the lyrics and singing of Mike Scott which animates this bulldozing epic, like a whole life in song. The coda is a proper rock guitar freakout, the like of which is rarely heard these days, but advances in a most satisfying manner after the emotions of the verses.

EaJb9OlWsAEjqEy

Yes there is a whole life in this song, ecstatic, searching and moving. The moment when he exclaims “And I Ran” makes you want to run alongside, imagining your own experiences through the vagaries of existence. It resolves, after many adventures, at “love’s fortress”, truly a A Long Days Journey Into Night. Yet he manages to emerge into the “small damp dawn”. Such a joy to hear the height of unbridled emotion, instead of some tinkly, mousy, half-formed musings so common these days. His optimism is infectious, he will keep running and never become “one of them!”

This song is track 9 or track 2 side 2 of the album Good Luck, Seeker. The album itself is a slightly mixed bag, starting with the Van Morrison inspired The Soul Singer. It traverses through some electro-folk and then the psychedelic Dennis Hopper and Freak Street. However it is side 2, track 8 onwards, which comprises a suite of spiritual songs taking us on a true journey. Some are delivered as poetry rather than sung, which appears to have upset some fans. Yet I find the balance between the rock bombast and dreamy romanticism works perfectly, the songs reflecting off each other, building a plangent vista. We slowly move into a spiritual realm, arriving bizarrely at The Society of The Inner Light at Steeles Road in London. The album finishes with the calming Land of Sunset, but before that there is a kind of reprise of Weary Land. The short Everchanging boldly proclaims “a new vista of fresh probabilities”. Still moving indeed, and all highly energising.

Good Luck, Seeker 1

My Wanderings In The Weary Land – the official audio on You Tube

Ω

 

Recommended Free OSX Apps

Free Apps

These free apps are my favourites, there are many more. They have all recently been updated. Only Handbrake has a Universal Apple Silicon version at present, though I am sure that will soon change and in any case all these apps should work well under Rosetta 2 on Apple Silicon. Some apps have a paid for variant, or request contributions – I’ll leave that up to you. The free versions all work fine as of December 2020.

These links should take you directly to the Download page, if possible.

EtreCheck – Computer Check

Malwarebytes – Virus Check

Find Any File – better than Spotlight

The Unarchiver – File Opener and Decoder

VLC – Video Player

Handbrake – Video Encoder

Audacity – Audio Editor and Encoder

XLD – Audio Decoder and CD Maker

Libre Office – Replaces Microsoft Word

Cyberduck – FTP application

Mactracker – Mac Computer Specifications

Onyx – Mac Maintenance and Hidden Preferences

BBEdit – Text and Code Editor

Blackmagic Disk Speed Test

DaVinci Resolve – Professional Film Editing

Do not buy an old Intel Mac

 The Future is Apple Silicon

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The new M1 Macs are blistering fast at every level. An M1 MacBook Air is now as fast in many scenarios as an Intel iMac Pro which costs five times as much. There is no doubt that the Apple M1 Silicon, replacing the old Intel chips, is a masterstroke and a huge step forward for computing. This new generation of processors are System on a Chip (SOC), integrating the CPU, GPU and RAM, a big step forward. They were inspired by by the A14 bionic chip found in iPhones and iPads, this is an evolutionary technology. Soon it will no longer matter which computer you have, they will all be incredibly fast. Computers have finally become a mature technology. Just like a kettle.

The sweet spot at the moment appears to be a 512GB 13 inch MacBook Air with the 8 core chip, which retails for £1,249. The new unified memory appears to make RAM less important, but as usual Apple are still charging a premium for it, 16BG costs an extra £200. This machine is faster and more efficient than any previous laptop – full stop. If you don’t need a laptop the M1 Mac mini starting at £699 is excellent value, just as fast as the base £5449 Mac Pro. In the meantime, Apple are not making too much fuss about all this – they still have to sell off their inventory of old Intel machines. The transition to the new silicon architecture will take some time.

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The only downside is that you have to run Big Sur Mac OS, which prevents old 32 bit apps from running and conceals the actual user interface. Obviously Windows, designed for Intel processors, will no longer run in Boot Camp on these new chips. Another consideration may be that we are now awaiting an M2 processor for the new iMac and MacBook Pro 16”, which should be even better, who knows. Meanwhile apps that have not been optimised for Apple Silicon appear to run well under Rosetta 2, and eventually they will all be translated to the new processor.  Let’s face it, Apple Silicon is now the future of computing.

Just one example, you can now seamlessly edit 8k video on a MacBook Air, which previously required a high end workstation where the video card alone cost as much as one of these new M1 Macs. Meanwhile we await the new iMacs which should have more Thunderbolt  / USB-C ports. The current machines only have 2, although they can be expanded with cheap USB-C adaptors. As we wait, there is no doubt that Apple has once again made a transformative leap in the world of computing.

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Update 25 October 2021
The new M1Pro and M1Max chips now available for 14″ and 16″ MacBook Pro laptops are showing the amazing potential of these new system on a chip (SOC) designs. They are so far ahead of the game that Intel must be quaking in their oversize (14nm) boots. The highly reputed AnandTech has this to say about the latest M1 (5nm) iterations:

The M1 Pro and M1 Max change the narrative completely – these designs feel like truly SoCs that have been made with power users in mind, with Apple increasing the performance metrics in all vectors. We expected large performance jumps, but we didn’t expect the some of the monstrous increases that the new chips are able to achieve.
The chips here aren’t only able to outclass any competitor laptop design, but also competes against the best desktop systems out there, you’d have to bring out server-class hardware to get ahead of the M1 Max – it’s just generally absurd.

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Update January 2023
If on a budget buy this machine, it can do everything you need!
Mac Mini – 512GB – £1049
Apple M2 with 8-core CPU, 10-core GPU, 16‑core Neural Engine
16GB unified memory
512GB SSD storage (256GB is never enough)
Gigabit Ethernet
Two Thunderbolt 4 ports, HDMI port, two USB-A ports, headphone jack

W, A Personal History Part One


First Rule of Life Club

1. Never talk about any of these things 

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This is a story rarely told, yet apparently we nearly all do it. The subject may upset you, if so stop reading now. The subject of wanking aka masturbation aka self-abuse has not been covered in most of my reading, and in my researches I have only found two recent articles which mention it, by Lily Allen and Giles Coren. In 2009 NHS Sheffield published a controversial leaflet called Pleasure stating “An orgasm a day keeps the doctor away”. A more recent booklet titled Masturbation (see above) expresses the current medical opinion succinctly: “Masturbation is a natural, healthy expression of sexuality, which can have a large number of health benefits, not least that of sexual pleasure.” Anyway, for better or worse, here is my personal take on the subject, of which the keynote is honesty. I hope it will be amusing, informative and kinda bizarre.

I have no particular memories of erotic stimulation before my adolescence, although it was a subject of mystery and fascination. Come adolescence and the floodgates opened and haven’t closed since. The utter shock and mess of my first ejaculation was totally unexpected, despite having been told the “facts of life”. Obviously they had censored a few chapters, I soon realised. A veiled enquiry was made to my mother, and I gathered that everything was normal and I was perfectly healthy. “Night emissions” were apparently to be expected from someone of my age. However I found all the semen a great inconvenience, and it made masturbating in bed rather problematic. I decided to use the toilet, where tissues were available. A box of Kleenex by the bed was not a good look in those days.

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Anyway new doors and avenues of exploration were opening before me, but where could I find real information? I had no idea and amongst my peer group it was either a no-go area or just filled with nudge-nudge wink-wink big boys talk. I was on my own and for me the answer was books. I tried the dictionary and yes in those days it simply described masturbation as “self-abuse”, which wasn’t very helpful. However my father was a doctor and I found a huge volume called Cunningham’s Text Book of Anatomy from the Oxford University Press 1937. This 1500 page academic tome was well illustrated with photographs of naked men and a whole chapter on the Uro-Genital System with graphic illustrations. It was highly informative, but not very sexy. To make up for that I found on the bookshelf nearby the classic photo documentary book The Family of Man, created by Edward Steichen for the Museum of Modern Art in 1955. Now I am sure this was not the intended usage of a book documenting the greatest photographic exhibition of all time, but already on page 3 there is a naked lady lying in a forest. There is a lot of reality, wonder and romance in the many photographs, but of much more importance to me at the time was the appearance of a few naked ladies. I was desperate.

Expanding my search through the bookshelves I finally found a cache of sexual classics, not hidden exactly, but well out of the way. These books were to be my window on a hidden world. I started with the Kama Sutra which proved interesting, but rather frustrating, not sexy enough. There was also The Jewel in the Lotus by Allen Edwardes, written in 1959 and apparently a historical survey of sexual culture in the East. More down to earth and sometimes plain obscene was The Perfumed Garden by Sheik Nefzawi, a fifteenth century Arabic sex manual, translated in 1886 by Sir Richard Burton. Now this book was really the business, both serious and lascivious, I found it very arousing. Of course I could not take these books away, I could not not wank while reading them, they had to be read surreptitiously and immediately replaced in the bookcase. They were my secret. Then I discovered Walter, My Secret Life. This book was closer to home, allegedly being the memoirs of an unknown Victorian gentleman and his erotic life, involving many prostitutes and brothels. It has been prosecuted for obscenity many times and was only finally legally published in 1995. This was an edited two volume set, apparently there were eleven volumes in total and Wikipedia describes it as “one of the strangest and most obsessive books ever written”. Opening the book at nearly any page there was a panoply of detailed sexual encounters.

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So after the brief period of night emissions I would get home from school, read a bit from the from the naughty library, carefully replace the book and then retire to the toilet with a Sunday Colour magazine or a copy of Vogue. In retrospect I am pretty sure my mother knew what I was up to, but nothing was ever said. At this time, and for many years, I did not have any “dirty“ magazines. I was far too intimidated to purchase them, if not too young, and in any case there seemed to be no safe place to hide them. This was not the case at school, where there was a lively blackmarket for copies of Parade. This remarkably cheap pinup weekly, had originally been named Blighty Parade and aimed at servicemen. A bit more raunchy was Fiesta, which as the cheapest “porno“ magazine (bare breasts only at the time), became very popular. The sexuality portrayed was down to earth and blatant, reinforced by having the first Readers Wives section. Playboy was occasionally available, but regarded as too expensive, classy and American, although with better printing. I believe it was the centre spread from Fiesta, which was attached to the inside of the new boy’s desk in our class, who had no truck with such publications. We all enjoyed the look of horror on his face, yet the irony was that he would become the biggest heart throb in our school only a few years later. At the time he would not believe that his parents could possibly have had sex. O tempora, o mores!

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Sex education at school was relatively farcical, and none of the teachers wanted to undergo the embarrassment. Different teachers tried, they all failed, there was no textbook. As part of these occasional lessons we were invited to write down our questions on bits of paper, to overcome our own apprehension. I wrote “What is menstruation”, leading to a prolonged bout of blushing by our teacher when read out in class. I never did receive an accurate explanation, although I already knew the answer. There was one event of note which has stayed with me, there was a school cinema trip to see Helga, a West German Federal Government sex education documentary. This was a very graphic movie including a live birth, and we needed special permission to see it, being under age. Pretty sure my parents had to sign the dispensation, and as a result only half the class made it to the cinema. It taught me more about sexuality than any of our lessons, and I was very taken with Helga herself. For many years this was the most explicit movie I had the privilege of seeing.

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I started experimenting with different places, our toilet did not feel right. Down the end of our road was a wild piece of bracken and paths next to the golf course. While exploring there I found a damp stash of abandoned dirty magazines, which proved to be an exciting discovery. After a few visits on my bike, they disappeared and I thought about making my own secret stash there. Nothing came of it, simply too uncomfortable among all the brambles. Another time I found a building site  with a stack of magazines left by the builders, I became a regular visitor on Sunday when no-one was about. Pictures of Lily solved my childhood problems sang the Who, and how right they were, they helped me feel alright. Once on a long boring holiday drive through France I had been amusing myself with sexual fantasies. We stopped at a mountain lay-by and I ran off to have a wank over the glorious view, quite risky but eminently worthwhile. Sometimes the urge to wank would simply overcome me, this happened particularly in afternoon history lessons at school, teacher droning on, dull as ditchwater. Yes I got caught in flagrante by a schoolmate, said I had itchy balls, but this did manage to rather put me off the idea. Later I had a fondness for wanking in other peoples bathrooms, always made it seem more dramatic. Must have been a consummate red-faced liar by this time.

One of the problems of my adolescence was the unexpected erection. This could occur at any time, no erotic thoughts or stimulation needed, this thing appeared to have a mind of it’s own. That is one of the reasons I have never worn those loose boxer shorts, and I found that even Y fronts appeared to have an escape hole. I was sitting innocently on the train home from school and suddenly the sharp eyed girls noticed a pointy lump in my trousers. I shifted position as if uncomfortable, but it was too late, my dick had escaped from my Y fronts and there was little I could do about it. I went bright puce and shrugged my shoulders. I was powerless to conceal the truth, there we are folks. Even worse was being caught in my pyjamas early one Sunday morning, dick sticking straight out through the loose fabric fly. My mother came into the room and I attempted to hide behind the empty dining room table, shuffling nervously. She asked what I was doing and I mumbled some blatant excuse. I presume she realised what was going on, because I was quickly left in peace. Ever since I have worn good tight briefs, hold it in place man.

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A few years later both my parents were often at work, so if I got off school early I had the house to myself. I proceeded to explore their bedroom and found such erotic classics as Fanny Hill, Portnoy’s Complaint and In Praise of Older Women. In addition there were some old copies of Playboy and Mayfair in the bedside cabinet. Much more exciting was a copy of The Joy of Sex subtitled A Gourmet Guide to Lovemaking, a British illustrated sex manual. To get round censorship issues this book did not have photographs but pen and ink line drawings. As a result they were highly explicit for the time, while also conveying a certain sensitivity and tenderness. I did not find them highly erotic, the bearded man didn’t help much, but this groundbreaking and popular book was certainly informative. For just a few weeks I did find some copies of the truly pornographic Danish publication Color Climax. This was well printed in A5 format with full orgy photo stories, from the fully clothed meeting, then oral, then anal, of course intercourse and finally the naked ejaculation. Not much has changed from this template. I presume these illegal magazines must have been loaned from a friend, dad had not been to Denmark, where pornography had been legalised in 1969. This was the the first hardcore pornography I had ever seen, it was both highly arousing and intimidating, if not slightly unpleasant. It was though a relief, in some ways, to finally see the real thing: pornography in color.

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The rest of the magazine bares no resemblance to this opening spread…

I spent a year in France as a language assistant, where pornography had been legalised. Here I saw the gamut of poorly made sexploitation movies in the local town cinema. This was still a novelty so the cinema would be quite busy, and it seemed bizarre to be watching this smut with the headmaster of the school where I worked. The French didn’t care, in fact I discovered their sensitivity in these and other sexual matters were quite different to the prim British mores. In the local town there was a red light area, many blatant prostitutes on one lively street. I often walked down this street in fascination, though not temptation, to visit the school where a friend from the UK worked. As well as Deep Throat and The Devil in Miss Jones I did get to see one moving and powerful film in Paris featuring real sex, In the Realm of the Senses (Ai no Koriida) by Nagisa Oshima. Well over a million people saw this film in France, it was finally released in the UK in 1991. Fortified by this sexual liberation I was possessed to buy a gift for my parents, which I presumed would be unavailable in the UK. For reasons beyond me I chose Histoire d’O by Pauline Réage, beautifully illustrated with gothic line drawings by Guido Crepax. It was a proper large coffee table hardback edition, very popular in France, despite the S&M undertones. It was welcomed with a forced smile and obviously went nowhere near a coffee table in our house. What was I thinking? I blame the Marquis de Sade.

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I have decided to end Part One of this memoir here, while I was still a frustrated virgin. Of course the wanking continued (to my surprise), but the whole situation becomes more complicated, if not compromising, when involved in a relationship. I should make it clear here that somehow my sexual fantasy life and my real sexual life have alway remained separate, though they are interconnected, because that seems to be healthier to me. I can also say that real sex is so much more than having a wank, that I feel embarrassed to put them in the same sentence. It’s the difference between fantasy and reality.

Of the many lurid texts I have read, this simple phrase has proven to be a sincere comfort:

A humid kiss
Is better than a hurried coitus

from The Perfumed Garden 15th c.

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