Can’t Leave London : The Jazz Clubs

I am writing this In Memoriam to Jazz at The Oxford, my local jazz club in Kentish Town, London. It happened on a Monday (when nothing happens) upstairs at a local pub for 12 years and was like having Ronnie Scott’s just down the road, but much cheaper, more relaxed and more personal. It was run by George Crowley, an excellent saxophonist in his own right, often playing with the guests and of course when the guests couldn’t make it.

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Crocodile playing at The Oxford, Kentish Town

While it started off as often too full of student alumni, it only cost £5 and every so often someone of the calibre of Shabaka Hutchings would turn up. Great nights included someone transporting a full size Hammond organ up the stairs, big bands such as Crocodile outnumbering the audience and of course musicians of the quality of Jeff Williams, Laura Jurd, Martyn Speake and Kit Downes. I will be missing this…on occasional Fridays some of these musicians may appear at the Con Cellar Bar aka The Constitution on the canal in Camden.

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Blues Night at The Constitution

Meanwhile the amazing Cafe Oto in Dalston, now the UK home of Sun Ra, continues to plough its unique furrow through nearly any kind of modern music as inspired by Wire magazine. A staggering number of amazing concerts with the cream of British avant garde jazz as well as luminaries from many international genres.

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Sun Ra Arkestra at Cafe Oto (in Infra Red)

The sackcloth backdrop which looks like a temporary rebuilding memento is still there as is the relaxed and concentrated vibe which draws in performers as varied as The Necks, Annette Peacock, Jimi Tenor, Marc Ribot and The Thing. There is no stage, we are one. Just so you know – I’m a Member!

Across the road is one of London’s most famous and established jazz clubs, The Vortex.

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Carol Grimes at The Vortex with Giles Perring

While presenting an excellent cross section of soul and avant garde jazz, I have always found the room a little bit too concrete and dry after it moved from its original location, a funky, wooden and crazy place in Stoke Newington Church Street, which for a few years until 2004 was definitely the best jazz venue in London. Thank you Billy Jenkins for some great nights there. Also of note is the funky Servant Jazz Quarters round the corner. Meanwhile just south of the River, an important new improvised venue opened recently called iklectik, set in hidden arty gardens in Lambeth and I would recommend discovering the Horse Party. Just don’t tell the Archbishop.

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Bill Evans Band at The Jazz Cafe 9/8/16

This article is also inspired by a recent visit to the venerable Jazz Cafe, just off Camden High Street. After becoming one of the key venues for New British Jazz in the late 80s, the tiny L shaped wine bar in Stoke Newington Green expanded to a large venue in Camden and has recently been refurbished as a full on night club, featuring jazz. The main floor is open with a restaurant of sorts on the balcony and this works well for funkier outfits, such as Bill Evans who I saw there only this week. Seen some great gigs here such as the Paul Motion Trio (see above), Nils Petter Molvaer and Pharaoh Saunders.

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Alan Wilkinson fronting Ya Basta at Flim Flam, Ryans Bar

Talking of L shaped rooms the L in the Flim Flam venue at Ryans Bar, again in Stoke Newington Church Street, has been removed after refurbishment. This venue is run by Alan Wilkinson, a free sax improviser of long standing and on Wednesdays presents the best of improvised music with an eclectic lineup of the famous and crazy in nearly equal measures.

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Charles Hayward does his half hour snare drum roll

For more varied musical fare there is the Fiddlers Elbow just outside the Camden Market tourist trap area, presenting live music every night. The main pub room is kinda pentagonal, with a dance floor.

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Purdy at the 606 Club

A mention for a few others such as the 606 in Chelsea, allegedly a members supper club, but which presents British jazz and soul in an atmospheric candle-lit cellar. In Soho there is Pizza Express and of course the famous Ronnie Scott’s, both also a bit supper club these days. Ronnie’s does attract some outstanding acts, often American, due to being established over 50 years ago by a very funny and excellent saxophone player. Great nights here have included Art Pepper, Airto, Stacey Kent and of course Nina Simone. Also recommended in Central London is the celebrated 100 Club in Oxford Street, still surviving after many years. Vividly remember gurning at Slim Gaillard here for a couple of hours and grooving to the late Tommy Chase Quartet.

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Blues Spiders at Ain’t Nothin But..

A good standby in town is the Ain’t Nothin But Blues Bar in Kingly Street, which does what it says on the tin 7 nights a week. Further East is the Village Underground, a cavernous venue under huge railway arches for Shoreditch hipsters who don’t like sitting down. Primarily a dance/pop venue it occasionally features jazz acts such as Snarky Puppy. The nearby Rich Mix in Bethnal Green has a more varied World music programme, but I am pleased to see James Blood Ulmer is appearing there soon, last seen at Cafe Oto.

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Alex Ward, Shabaka Hutchings, Steve Noble at Boat -Ting

Finally a big favourite is Boat-Ting, allegedly London’s hottest new music and poetry club, although after 14 years it’s not that new. Hosted by livewire Sybil Madrigal it regularly features NEW – with Britains best drummer, Steve Noble, powerhouse double bassist John Edwards and the virtuoso guitarist Alex Ward. Best of all this is a jazz club on a boat on the Thames, feel the waves like nowhere else..Bar-and-Co

So where else in the world could I stand 3 feet away from a world class musician on a regular basis? Answers on a postcard, maybe from New York.

Nearly all these places are dirty, cheap, relaxed, and half full some of the time.
You can find some more proper pics of some of these places at Z360 Live Music

Cafe Oto, Dalston

The Vortex, Dalston

Jazz Cafe, Camden

The iklektik, Lambeth

Flim Flam, Ryans Bar Stoke Newington

100 Club, 100 Oxford Street

Boat-Ting, Embankment The Thames

R.I.P. The Bull and Gate, Kentish Town. The Spitz, Spitalfields. The 12 Bar Club, Tin Pan Alley Denmark Street. The Red Rose, Finsbury Park. The Adelaide, Belsize Park. The Mean Fiddler, Harlesden. The original Marquee, Wardour Street Soho. The Moonlight aka Klooks Kleek, West Hampstead.

And don’t forget The Klinker wherever it is…

Update February 2019
Jazz is now back on upstairs at The Oxford, Kentish Town. George Crowley is no longer running the evening, but he was featured there recently and it was a great pleasure to see him destroying the “standard” he was requested to play.

Volvo in Mario’s Cafe

Paul Shearsmith’s Volvo Amazon in Mario’s Cafe, Kentish Town

Life size car photography by Douglas Cape, Z360

Kuma Lisa at St Mary’s

Right click for the Fullscreen button
Another splendid night, Cheers!

A Short History of Quicktime VR

In 1992 Quicktime 1.0 was launched. This was followed in 1994 by Windows friendly Quicktime 2.1 which, along with QuickTime VR 1.0, could play Panoramas and Objects in a discrete QTVR Player or in a browser plugin for Netscape Navigator.
In Quicktime 2.5, with an updated QuickTime VR 2.0, these items were integrated to make a free universal VR Player. Interactive multimedia had arrived!

So the Player was free, but to make this interactive multimedia you required the QuickTime VR Authoring Tools Suite which comprised of 2 huge binders, a video and lots of floppy discs. There was no GUI (graphical user interface), you had to write code in MPW 3.2 (Macintosh Programmer’s Workshop) and use Hyper Card and ResEdit. This Tools Suite cost $2,000 and could only run on a $4,000 Apple computer. Despite regular crashes (normal in those days) and a long learning curve, it all worked.

Panorama made using MPW 1997, but the Quicktime VR Player no longer works. Part of a Camden Lock Tour which appeared on a MacWorld cover CD in 1999.

It is worth remembering there was no broadband, only modems working at a fraction of the speed, and that digital cameras were in their infancy, so most projects had to be digitised from film, often using Photo CD.

In late 1997 QuickTime VR 2.0 Authoring Studio with a full GUI and batch mode was released for $500, bringing VR into the mainstream. The Authoring Tools made cylindrical panoramas, object movies and tours with internal and external links. For many years this programme was the default panorama maker, despite later competition from RealViz Stitcher, Powerstitch and VR Worx.

Quicktime was steadily updated, although Quicktime 4.1 notoriously re-numbered all your hotspots so you never actually went where you had intended. At the same time other panorama players appeared, unfortunately including the litigious Interactive Pictures Corporation (IPIX) who threatened to sue anyone who distributed software to create 360 degree panorama images, including the software developer Helmut Dersch and also Live Picture’s PhotoVista. IPIX, which charged $25 per panorama created, were to go bankrupt in 2006, hoist by their own petard: patent violation.

Apple supported Quicktime VR with special Showcase pages and a vibrant Apple QuickTime VR mailing list. The flexibility of Quicktime VR allowed the creation of true multimedia experiences. These 2 huge tomes in the Quicktime Developer Series illustrate the potential power of this technology.

Perhaps inspired by Helmut Dersh’s Panorama Tools, in 2001 Quicktime 5 introduced the spherical (360ºx180º) panorama player which we know today. By this time Quicktime supported mp3, Flash 4, streaming and “wired” movies. These wired movies allowed an authoring application to unlock the power of Quicktime, of which the prime example was Livestage Media Pro, allowing you to skin Quicktime and integrate different media and players interactively. Sadly this example no longer works as it did from 2004 to 2015.

Console Tour with panoramas, video, audio, text, hotspots, controls

With the advent of spherical panoramas new software appeared such as PTMac, IBM Hot Media, Cubic Converter, PhotoWarp and finally PTGui, the current stitcher of choice. Apple never updated QTVRAS (QuickTime VR Authoring Studio) to stitch spherical images or run in OSX except under emulation.

During the early days of Quicktime VR a large amount of effort was spent persuading PC owners to download Quicktime, so they could view the media. This problem evaporated after Apple launched iTunes in 2001 (after buying Soundjam) and in effect Quicktime became the de facto music player. It was all looking rosy, but in retrospect it was at this time that Apple started to lose interest in Quicktime VR, and now iTunes can now no longer play interactive media.

With the advent of Quicktime 7 in 2005 the writing was on the wall when Flash support was dropped in version 7.3 along with several other interactive features due to “security concerns”, breaking many interactive projects. In the same year a very smooth Open GL panorama player called Cubic Navigator was launched using the latest graphics technology, but Apple did not respond. Since Quicktime 7.5 in 2008 the feature set has not been updated apart from security and compatibility updates. Quicktime 7.6 is now an “optional install” on Apple computers. It should be remembered that Quicktime 7 in the Pro version ($30) is a very powerful and flexible movie editor and compressor using the the same codecs as Final Cut Pro Studio ($1,700).

In 2009 Apple dropped support for Quicktime VR with the launch of Quicktime X, which does not play QTVR or edit movies, despite claiming it was “ideal for any application that needs to play media content”, and that it would “advance modern media and Internet standards”. In doing so they handed over the multimedia baton to Flash (now the default panorama player), their alleged opponents. Apple’s eventual response (link now removed by Apple) was an HTML5 player which was an insult to the rich tradition of Quicktime VR. It was an ignominious end for the very technology Apple had invented and promoted so strongly.

So try making this today, it might be possible in Flash using KRPano, but in 1999 we had a cool GUI in SoundsaVR to edit the multiple overlapping loops. This panorama, only 1.2mb so it could be delivered over a modem, was a big hit at MacWorld 1999.

Echo City with Sound Loops, using SoundsaVR

Coda
Of course interactive multimedia plays on, with incredible gigapixel panoramas in Flash and swishy cool HTML5 panoramas on the iPhone and iPad. However to make these we are back hand coding in XML, while the wired possibilities of Quicktime have been abandoned. Quicktime VR still functions (in some browsers) and Quicktime 7 is still available, but for how long?

Update 8/12/15
Today Apple finally destroyed their own creation, Quicktime VR.
In a “Security Update” Apple silently removed the Quicktime Plug-in which played Panoramas.
Apple stated “If you’re using the legacy QuickTime 7 web plug-in to display panoramic images, use an HTML5-based panorama viewer instead. Search the web for a panorama viewer that doesn’t require a web plug-in.”
Appallingly disingenuous since there is no HTML5 player that can play Quicktime VR without the author re-encoding the original panorama. Shame on you, Apple.

PS
To restore the Quicktime VR plug-in on OSX
Go to Library/InternetPlug-Ins
Move these two files from the Disabled Plug-Ins folder to the Internet Plug-Ins folder:
QuickTime Plugin.plugin
nslQTScriptablePlugin.xpt
Hurrah !

All VR examples © z360.com

Thanks To :
Tim Monroe
Ken Turkowski
Joel Cannon
David Palermo
and many others on the Apple QuickTime VR team